Professional Photographer UK 2012-10.pdf
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FOR PROFESSIONALS, BY PROFESSIONALS
WWW.PROFESSIONALPHOTOGRAPHER.CO.UK
PROFESSIONAL SINCE 1982
OCTOBER 2012 £4.20
BIG INTERVIEW:
NEW COLUMNIST:
ARAB WOMEN
50
SHADES OF
UNCOVERED
CRAIG
DSLR MOVIES:
SIMPLIFY YOUR
WORKING PRO:
TECHNIQUE
GYPSY WEDDINGS
CHANNEL 4 STYLE
WHO’S GETTY
BOUGHT NOW?
PHOTOGRAPHER
OFTHEYEAR2012-
YOUR SHOTS INSIDE
october
I’ve just got back from holiday
three days before this issue went
to press, and the first feature I
started to read, well almost, was
Martin Middlebrook’s...
He had me worried with all his talk
of
National Geographic
senior staff practically
pronouncing the stills image industry dead. Okay,
this is my interpretation, and indeed Martin’s and
Nat Geo’s
, but it did get me thinking. The question
that was at the front of my mind was: have stills
become the poor relation to movies? Which, quite
naturally, led to: are we all going to be out of a job in
a few years time? If you are on the board of The
Carlyle Group then obviously not, having just spent
the thick end of $3 billion acquiring a controlling
interest in Getty, who themselves seem to be
emptying the piggy banks again and buying up more
of the imaging world’s picture libraries – they must
use the same business strategists as Tesco... every
image helps!
My feelings are that the still image is far from
dead. In fact, though for a good proportion of the
camera-buying public the technique and craft of
photography is as old fashioned as socks and
sandals, we are taking more pictures than ever,
and dare I say understanding their relevance and
narrative more clearly than ever before too. The
issue, for all pros, is that their fiscal value has
virtually evaporated in most cases. The time a
photographer provides is worth paying for, just not
the actual pictures? I’d be interested to hear your
thoughts on these questions.
Adam Scorey, Editor
adam.scorey@archant.co.uk
3
NEW PHOTOGRAPHY
13
PPOTY 2012
See which of your images have caught the eyes of the PPOTY judges
19
Portfolio
Our monthly selection of the best photographs you’ve posted online
24
Editor’s Choice
Editor Scorey chats about a reader’s image that made him look twice
NEED TO KNOW
11
Fifty Shades of Craig
Our new columnist claims he is not a social photographer. You’ll soon find out why...
28
Sky1’s Sarah O’Neill gives our shoulders a good work-out so we can carry
those kit bags
Fit for Work: Shouldering on...
32
Paul Sanders on... Taking Pictures for Me
The ex Picture Editor of The Times turns an unbooked slot in his diary into quality
me-time
34
Middlebrook: Poptimistic!
Middlebrook decides to face the threat to stills head-on, and embraces the moving image
39
Insider: Getting Ahead in Advertising
What do art buyers think of iPad-folios, and how do you get their attention?
45
Re-styling your Shoot: Katie Nattrass
This month’s retouch is all about making an advertised product stand out
49
Styling your Shoot: Grunge Appeal
We chat to Jenny Brough about her bold, grungy rock ‘n’ roll shoot that made it to our cover!
55
DSLR Movie Making: Get Filming
Crash Taylor explains how to best use shutter speed and ISO when filming with your DSLR
61
The Business: Kevin Mullins
Do you have a ‘fourth phase’ in your workflow? If not, Kevin Mullins suggests you get one!
65
The Business: Stock Exchange
Contracts with stock image agencies only last until one buys another, Tony Burns finds out
66
The Business: Getting Gettier?
Will Getty own every image on the planet in 10 years time, and will your income disappear?
INTERVIEWS & CHATS WITH...
69
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Professional
Photographer
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92 for details
Big Interview: Brigitte Lacombe
US-based Brigitte has travelled across the Arab world to portray women in sports
77
Working Pro: Big Fat Gypsy Wedding
We uncover the photography scandal behind the Bigger.Fatter.Gypsier billboards
83
Working Pro: Kenneth O’Halloran
The winner of last year’s Terry O’Neill Award tells us about his very Irish projects
100
This month we chat to John Stoddart about inspiration, crime and American artists
Heroes
NEWS & REVIEWS
88
Gear: Matthew’s Proverbs
Matthew Seed confesses his love for a light shaping tool that really makes a difference
95
Cool Britannia
We visit Folio Albums to feel the textures and smell the leather of their beautiful products
KEEP IN TOUCH
8
All this for you...
Get your free iPad edition of PP and a whole lot more!
92
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4
CONTENTS
Plik z chomika:
the.ville
Inne pliki z tego folderu:
Professional Photographer UK - 2012 Gear Special.pdf
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Professional Photographer UK 2012-01.pdf
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Professional Photographer UK 2012-02.pdf
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Professional Photographer UK 2012-03.pdf
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Professional Photographer UK 2012-04.pdf
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