JianPu.pdf

Jian Pu

1. Key Signature

1. Key signature notated at the left top of the score, in the form of 1 = bB, 1 =

C, 1 = D....

2. From “1 = A” (Actually is

), notes below “1” are notated

with lower dot. “1 = bA, G, F ...” are similar.

From “1 = bB” (Actually is

), notes above “7” are notated

with upper dot, “1 = B, C, D”, and so on.

Example,

3. Where there is a key change in the middle of a score, new key signature

should be notated, as below example.

When “1 = C” change to “1 = F”, should be notated as : “转 1 = F

(Before 6 = After 3)” or

(“Before = After 6”). ( 转means change to )

Please make sure that the vertical position of “1” is exact same to the first

note after key change, the note pitch in the parentheses usually is the last

note in the previous key, or the first note in the new key, and please make

sure to avoid accidental.

Example,

2. Time Signature

1. Time signature usually notated after key signature, for example:

2. When there is a time signature change in the score, new time signature

should be notated there.

Example:

3. When there are several time signatures frequently appear in one score, can

put these signatures after the first key signature of the score, for example

, no need to mark them out in each

individual time change place.

4. The time signature of mixing beat, you can mark out the structure of the time

signature, for example

, or use dashed barline.

5. When there is a rubato, notated with “

”. barline shown as dash line.

6. When there is a time change in multiple voices' score, notated time signature

change for each voice.

3. Tempo, Expression

1. Basic tempo, such as fast speed (or allegro), medium speed (or moderato),

slow speed (or adagio), and expression mark such as 雄壮地, 活泼地(Lively)

and so on, are notated at the score header, under key signature and time

signature.

2. Terms about tempo is followed with expression mark. When you need to use

both, there is an empty space between them, and with no comma. When use

terms of the same kind, add comma among them, for example Moderato …

(Maybe localized to chinese text).

3. Temporary tempo term are notated using Chinese, such as 渐慢, 渐快, 原速

etc, other than using foreign languages such as rit, accel, a tempo etc,.

4. To illustrate the accurate speed of the music, you can use “每分钟 = XX 拍”

or “ = XX”.

5. When there is a temporary tempo change in the score, please pay attention

to the relations between before and after parts, if there is a tempo change

series “ 中速→ 稍慢 → 原速 → 稍慢” , it's a very obvious mistake that you

don't notated the “原速(a tempo)”.

4. Voices

I think in this section, voice mean "a staff"

1. You can use voice name marker such as Soprano, Mezzo-soprano, Alto, Tenor,

Baritone, Bass, Lead, 领, 独, 齐, 合. Please put them before the system bracket.

Example:

2. When need to split voices in the voice, you can use I, II to mark out. For

example:

3. If there is a women's chorus, women's duet, men's chorus, men's duet, you

can notated them below song title, rather than put them before system

bracket.

4. If a song need to split voices or change voice, you'd better start a new line. If

your page doesn't have enough blank space, you can notated your change

voice name above the system.

Example:

5. If you put voice name before the lyrics, need to enclose in a pair of

parentheses, then it will look different than lyrics.

Example:

6. When a song is temporarily splitted from single voice into two voices, you

can use marker “{ }” (curly bracket), “}” at the end of a song is not a must.

Example 1,

Example 2,

7. Note position in a multiple voices' song should be align in the same line

vertically according to the time, barlines of various voices should be parted.

5. Note

1. Use dash “-” to lengthen a quarter to a note, notated as “1-, 1--, 1---”,

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